In 2021, during my studies at the Royal College of Art, I began an exploration into the transformative potential of discarded paper. What initially seemed ephemeral revealed surprising strength when combined with granular residues, yielding a composite capable of remarkable structural integrity. Through extensive experimentation with techniques and mixture proportions, I achieved a consistency that allowed for sculptural expression without compromising durability.
In 2023, my research expanded further—I began incorporating additional elements such as plants and other overlooked, discarded materials from daily life. These additions introduced new textures and stories, broadening the conceptual scope of the composite.
Papera requires precision and control, as the presence of curing agents accelerates the drying process. This challenge became part of the creative dialogue, pushing me to refine both material and method.
This ongoing journey with paper continues to inspire, revealing endless potential in a material often seen as transient. Each experiment uncovers new possibilities for transformation, renewal, and artistic inquiry—challenging perceptions of both waste and value.
Papera was born from a desire to transform undervalued, discarded materials into something with both structural integrity and artistic potential. Discarded paper, often seen as waste, granular residues, a byproduct of construction, together create a composite that symbolizes regeneration and renewal.